|
|
|
|
|
Vinterafton wide Rosiagstull,Stockholm
Painting ID:: 48946
|
Karl Nordstrom
Vinterafton wide Rosiagstull,Stockholm
mk187
1897-1900
Oil slick pa screen
102x131cm
|
| |
|
|
|
|
|
|
|
|
|
A Clearing in the Woods at Grez
Painting ID:: 54339
|
Karl Nordstrom
A Clearing in the Woods at Grez
mk235
1882
Oil on canvas
114x92cm
|
| |
|
|
|
|
|
|
|
|
|
Oat Field
Painting ID:: 79767
|
Karl Nordstrom
Oat Field
Oil on canvas, 33.5 x 50 cm
Date 1887(1887)
cjr
|
| |
|
|
|
|
|
|
|
|
|
Oat Field, Grez
Painting ID:: 79908
|
Karl Nordstrom
Oat Field, Grez
Oil on canvas, 117 x 147.5 cm
Date 1885(1885)
cjr
|
| |
|
|
|
|
|
|
|
|
|
View of Stockholm from Skansen
Painting ID:: 79912
|
Karl Nordstrom
View of Stockholm from Skansen
Oil on canvas, 62 x 121 cm
Date 1889(1889)
cjr
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Karl Nordstrom
|
|
Swedish Painter, 1855-1923
was a Swedish painter and one of the leading members of Konstnärsförbundet, which he chaired from 1896 until its dissolution in 1920. Born on Gotland, but growing up on Tjörn on the Swedish West Coast, Nordström studied at principskolan, the preparatory school of the Royal Academy of Arts in Stockholm and the private painting school of Edvard Perseus, but was never promoted to the "Antique school" of the Academy but had to continue on his own. Traveling to Paris in 1881, he was influenced by the impressionists. He spent a couple of years in Grez-sur-Loing, the site of an important colony of Scandinavian artists, practising his plein air painting in the strong French sunlight. In 1885, he joined the group of young artists protesting against the policies and leadership of the Academy, and he was ever since 1886 one of the leading members of Konstnärsförbundet, the formalization of the opposition group. He was its chairman from 1896 until its dissolution in 1920. In 1886, he married xylographer and photographer Tekla Lindeström in Paris. Later the same year, he settled on Tjörn, using what he had learnt in France about light and colours to depict the landscape where he had grown up. He spent the summer of 1889 in Visby. Around 1890, he moved from his earlier impressionism towards a more synthetist style. His influences came from Japanese art, which he had encountered in Paris, and from Gauguin, whose paintings he first saw in photographs he had received from Ivan Agueli. One of Nordström's old friends from the time at the Academy and in Perseus' school, Nils Kreuger, had lived in the city of Varberg since 1888. He convinced Nordström to move there in 1892, and they were joined by another of their old friends, Richard Bergh, in 1893. |
|
Related Artists::.
| Johann Koler | Johann Wilhelm Preyer | Friedrich Nerly | |
|
